Tamil tinseldom’s obsession with big , super heroes and the longing for big hits by them have come a full circle, we thought, but fortunately or unfortunately we were proven wrong by three bigwigs of Tamil cinema namely AVM, Sankar and Rajnikanth. For an outsider, say, a Rajini hater, the hype built around ‘Sivaji’ from the very moment it was conceived is nothing less than nauseatingly irritable. The media seemed vying one another to grab a bit of trivia or a piece of an image from the movie unpublished so far. It seemed every youth in the neighbourhood suffered the painful yet frenzied waiting for the date of release which the people at the helm too were unsure of. Finally it turned out to be a well orchestrated hype that helped an inflated movie to have its day at the box office.
Director Sankar is the big accident to happen to Tamil creative cinema after Maniratnam.
They are the ones who mastered the art of making movies which served to our minds while our hearts took a nap. Their obsession with craft and perfection rendered their movies lifeless. While Maniratnam’s perfection has its victims within the frame of the movie Sankar’s has outside the silver screen too. Sometimes we have to pick out the latter’s movie amidst the heap of technological rubbish. It’s not a surprise that he managed to sell his films and it’s only a re-assurance that the state is not lacking in the number of the so called intelligent movie goers.
They are the ones who mastered the art of making movies which served to our minds while our hearts took a nap. Their obsession with craft and perfection rendered their movies lifeless. While Maniratnam’s perfection has its victims within the frame of the movie Sankar’s has outside the silver screen too. Sometimes we have to pick out the latter’s movie amidst the heap of technological rubbish. It’s not a surprise that he managed to sell his films and it’s only a re-assurance that the state is not lacking in the number of the so called intelligent movie goers.
As usual, in ‘Sivaji’ Sankar takes a dig at the government, this time he takes in hand the issue of the cost of higher education and the deprivation of the same to the poor (Yes, you have its traces to ‘Gentleman’, the director’s first movie). The hero rather soberly tries, incurring the wrath of an education-business tycoon, to offer higher education to the needy at no cost and every scene of his tireless endeavour is sandwiched between two juicy scenes of romance with the heroine. The heavenly sets for song sequences, the comedy of the hero’s sidekick, the superficial fights (all richly graphic induced) and the so called punch-lines hardly come in the way to absorb the bottom line of the movie. And you shouldn’t say that the climax is a big gimmick.
The Producer, Director, Hero, Distributors, Theatre owners all have made and making good money out of ‘Sivaji’ and that’s good. Rajini fans, all over the world, having a good time watching the movie and that’s good too. Our so called intelligent movie goers haven’t changed a bit to bother about good movies, is that good?
1 comment:
Hi,
It is certainly an outstanding review compared to the regular ones that we see and read now.
I tend to go with the author.
Guys like Shankar and few others who lavishly spend crores of rupees on a few scenes of songs and fights in movie claiming them to be something great are certainly an obstacle to a creative Indian cinema.
Using couple of technological tools does not mean a lot of creativity.
Look at movies like Jurassic Park where all that was spent and done had lot of creativity and all were within the subject. It can also induce creativity on the viewer.
What a pity, the general public flock after these guys praising them.
We eagerly look forward to the days when we can get rid of the obsession of “BIG” means merely spending money.
A honest review by the author. Keep it up.
Regards,
Raja
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